His first characters were Titan, a Superman-like superhero, Kabul de Bengala (1971, written by Héctor Germán Oesterheld and Armando Fernández among others), Big Norman, Hilario Corvalán and others.įrom 1973 to 1976, Altuna collaborated with Fleetway, Ediciones Record, Charlton Comics, Playboy and the French Les Humanoïdes Associés.īeginning in July 1975, for the newspaper Clarín, Altuna together with writer Carlos Trillo created the character of journalist Hugo Chávez, better known as El loco Chavez (Crazy Chavez), for years one of the Argentine's most popular comics strips. Personal History of Horacio Altuna is unknown. Professional History of Horacio Altuna is unknown.Īlso with Trillo script, Altuna drew the series Charlie Moon and Las puertitas del señor López (Mr Lopez little doors) Career He began working in the comics world in 1965 for the publisher Editorial Columbia. Gallery of Horacio Altuna's pictures Horacio Altuna/Cover Artist None. Argentine comics artist, born in Crdoba (Argentina) on November 24, 1941. His first characters were Titan, a Superman-like superhero, Kabul de Bengala (1971, written by Hctor Germn Oesterheld and Armando Fernndez among others), Big Norman, Hilario Corvaln and others From 1973 to 1976, Altuna collaborated with Fleetway, Ediciones. Fond of drawing from an early age, he/she started his career in 1965, but it was not until two years later, hired by the publishing house Colomba, when you begin to collaborate with some of the most prominent writers of the moment, as Hctor Germn Oesterheld and Robin Wood. In 1982, Altuna moved to Sitges in Spain, drawing stories for the Editorial Toutain and short erotic stories for Playboy. CHARLIE MOON (Carlos Trillo / Horacio Altuna) Toutain editor, 1989. Horacio Altuna Comic Artist The Most Popular Comic Art by Horacio Altuna Lote Tebeos y Comics Norma Otros: Gato horacio altuna comic erotico norma editorial Compra, venta y subastas de Otros Norma en todocoleccion.l Libro Negro del Euskera Dialnet Altuna, Horacio Overview. Since February 2005, has designed the comic strip Familia Tipo (Average Family) for the Spanish newspaper El Periódico. You need to look carefully at each panel, trying not to miss any of these ironic, cruel and absolutely delirious images.įinally, the authorities explain that all this was a false alarm.īut the consequences are dire: thousands of dead and wounded are scattered everywhere.īenedetti, calm as ever, affirms that with a couple of alarms like this they will not need to detonate any bomb.Compra, venta y subastas de Publicitarias en. They all flee in terror, running towards the shelters, but only a few have the authorization cards that will allow them entrance.īenedetti helps his friend to find the girl he is in love with in the process, they both witness how people act like crazy. The authorities warn the population of an imminent nuclear attack. There is passion in the brothel scenes, but there is also peace and intimacy in the final sequence, when the Immortal plunges into the sea for the first time in his life.īut time is running out, and his minutes of freedom are about to end.īut this is a love story that has more to do with catastrophe than optimism. What is better To live luxuriously but enslaved or to be free and suffer in total poverty For the Immortal, freedom is all that matters, but Benedetti finds comfort and luxury too tempting. They roam the city, and through the dialogue we realize what is the authors political point of view (this particular creator was against the military dictatorship in Argentina, and this is quite evident here). However, sick and tired of his captivity, the Immortal escapes and chooses Benedetti as his sidekick. This man, nicknamed the Immortal, belongs to a company that is experimenting with his body, thus giving him longevity and perfect health his life is monitored and analyzed by scientists 247. Street sex is a frequent and recurring visual leitmotif in subsequent chapters. In the slums, prostitution reigns supreme, and it is common to find live sex shows: in exchange for a few cents, couples fuck for the amusement of any bystander. This is made even more evident when some men steal the clothes and even the shoes from a recently deceased man. Thanks to the spectacular artwork, is easy for us to see the differences between the two sectors of the metropolis. In the first one, titled Loyal and submissive Beto Benedetti experiences firsthand the impotence of being a second class citizen.įrustrated and angry, he temporarily gains entrance into the prosperous side of City, and the contrast is brutal. In this extravagant reality there are first class citizens and second class citizens, the state controls everything and only a few manage to survive.
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